-"If I chose the diamond, it is because it is, with its density, the highest value in the smallest volume" - Gabrielle Chanel
Curiously in 1932 gabrielle chanel the queen of costume jewelry who have in hand the oriental pearls and colored crystals goes to the most precious stone, "DIAMOND".
Opportunely, still reeling from the 1929 crisis, diamond dealers of the time chose to make mademoselle Chanel bring back the brilliance of the Diamond. This is the starting point for the most ephemeral and most legendary collections.
Simply, Gabrielle Chanel Alleviates mentures to extreme and out of fashion all the above. It's not the stone who decides anymore but how the seam lines in the drawing. She sets and Resets the diamonds as she once enjoyed taking apart the trimmings provided by the Duke of Westminster to invent other jewelry.
Resolutely she makes flexibility a principle and freedom a virtue. She removes the clasps open collars on behalf of the neck. "I want the jewel to be in a womans finger like rubbon" Said Chanel.
Poetically she landed the stars in the sky of Paris. "I wanted to cover women with constellations" stars of all sizes sparkled in the hair.Symbolically miss chanel chose five themes for its collection of diamond jewels. 5 the magic number, as the quintessential style, the magic of the stars, the sun's radiation, the flexibility of the tape, the voyeur insolance fringes and feather's lightness.
Secretly, Gabrielle Chanel illuminates the darkest part of her childhood covering the diamond to the star, crescent moons, suns and Maltese cross.
Audaciously, Gabrielle Chanel does not put her jewelry in the shop from the street Cambon, but home. écrat or cushions or black velvet, she prefers to install on his merry simple wax models and makeup capped.
Furiously, the pre-male world of vendome square requires dismantling of the Jewelry after the exhibition. "beautiful things are they not made to circulate" as Mademoiselle Chanel said.
Furiously, the pre-male world of vendome square requires dismantling of the Jewelry after the exhibition. "beautiful things are they not made to circulate" as Mademoiselle Chanel said.
Finally, this collection of 1932 will be the first and only collection of Gabrielle Chanel's Jewelry
Brilliantly, today's collection feed on those of yesterday, she reinterprets stars, fringes, ribbons and feathers and summon other items of the universe of Mademoiselle, the camellias, the lion and the pearl.
Brilliantly, today's collection feed on those of yesterday, she reinterprets stars, fringes, ribbons and feathers and summon other items of the universe of Mademoiselle, the camellias, the lion and the pearl.
Insolently, now wearing a diamond sautoire on a t-shirt becomes obvious, or a elegence as a silent tribute to the beauty that was neither a convenience nor a standard for Gabrielle, but just a way of being a look.
Freely, it is women who chooses Chanel diamonds, their jewels are now no longer the admirteurs trophies but the symbol of their freedom. Many diamonds on the jacket of the skin, hair, accompagnes them by their brilliance, their power and their fire
Eternally Chanel is the diamond.
Eternally Chanel is the diamond.
If you want to see chapter 2/ Si vous voulez voir le chapitre 2 Marilyn et N°5 : http://fashionspotmn.blogspot.com/2013/06/inside-chanel-chaptitre-2-marilyn-n5.html
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